Released: 2007 |
B-Street |
Let Palouse smooth out the kinks in your
day.
At home, school, or the office, Palouse will relax you with grooves
and melodies designed to reduce stress.
10 tracks (52 minutes) of smooth jazz in the classic Kevin B. Selby style. The album is piano-heavy, yet it still allows room for electric piano, acoustic guitar, and synthesizer melodies and solos built upon solid drum and bass grooves.
The gorgeous cover art picture was graciously
provided by Jane Loughney, a local Washington state photographer.
You can view her work at:
http://community.webshots.com/user/janeloughney and a close
match to this picture specifically at:
http://travel.webshots.com/photo/1384124413028906950KlSYlJ.
Many many thanks to Ms. Loughney!!
Palouse is dedicated to Jan and Linda Goolsbey for their patronage (Mrs. Goolsbey provided the funds for many things, chief among them would have been Cakewalk Home Studio 6 without which Palouse simply would not have been), and for Jan's undying belief in a project of this sort and his support for various live performances together with Kevin.
The project that became Palouse was started somewhere in early 2004 with a song "Two by Two" (that eventually became Bryan Tower). I grew up as a "70s child" and as such, listened to plenty of the progressive music of the day which had emerging synthesizers and other styles that caught my imagination. At the time (high school and college), I had no money to purchase the "way cool" synthesizers and drum machines of the day, so I simply held onto those thoughts for a future day when I COULD have access to experimental sounds. I knew that some day I would get my chance to build songs using interesting technologies above and beyond the typical drums, bass, guitar, and piano. Palouse realizes this dream fully and expands upon it in a HUGE way when you consider that all of the work done on Palouse was achieved or realized within a simple Dell Inspiron 6000 laptop computer hooked to an M-Audio 88SX 88-key keyboard controller. Had I attempted Palouse at any other time in history, I would have fought with analog synthesizers going out of tune (it's true!), lack of available sounds to play with, drum machines sounding "fake" and a whole host of other issues that would have made the project take longer and sound less than professional. In fact, I had about 3 weeks left to finish Palouse and a major sound library company released a free sound library (to entice you to purchase the larger version) that simply took my breath away. Here were sounds I had been looking for to help round out some of the tracks and give the project a more rounded and "produced" feel. In retrospect, I am very glad that Palouse took as long as it did because it simply wouldn't have been the same album otherwise.
Palouse got its name and overall album concept from the area of Washington state called "the Palouse". This is an area of rolling green and brown hills between Tri-Cities, WA and Spokane, WA where farms, wineries, and other agricultural pursuits dot the landscape and beauty is constantly in the air.
I went to college at Washington State University (WSU) in Pullman, WA and my son Jeff spent several summers on staff at the Boy Scout camp Grizzly (near Harvard, Idaho), both in the heart of Palouse country. Driving to and from college as well as hauling Jeff and his friends to camp and back gave me a chance to fully enjoy the Palouse and provided the theme for the album.
1. B-Street -
Listen
There is a street named "B-Street" close to the WSU campus. It
winds through a few fraternity and sorority houses, goes past "The
Coug" (a favorite student hang-out) and ends up near the "Bookie"
(student bookstore) on one side of the campus. My friends and
I lived in an apartment complex on B-Street and hiked up the small
hill to go to school each day. My future wife Kathy and her
friends lived upstairs. I remember coming back to the
apartment at lunch every day for my favorite soup and sandwich
whilst watching "Days of our Lives" (yes...you read that right).
We also had a cat named Todi Bellini who loved to roam the
neighborhood and cause trouble.
2. Bryan Tower -
Listen
Bryan Tower is a building containing a huge clock located in the
heart of the WSU campus. You can see Bryan Tower when you
start coming down the hill into Pullman. I remember having an
Economics 201 class in that building. The clock rings solidly
every hour to alert students of the time and that they'd better get
to their next class.
3. Goin' Home -
Listen
This track takes me back to hard weeks of college and that nice
feeling you got when you knew you'd be driving home to Mom and Dad
for the weekend. Great food (woo hoo!!) and a chance to catch
them up on the goings-on at the University. The drive from
Pullman to Tri-Cities is a pretty one. I won't say we obeyed
the speed limit religiously and I also won't recall the time we
outran the stater, pulled around a corner and went off-road and hid
behind a row of trees. I will also try very hard not to
remember the fun we had with a box of a classmates garden tomatoes
and oncoming vehicles.
4. Day Trip -
Listen
This track is reminiscent of the summer of 2007 when we transported
my son Jeff back and forth to the Boy Scout camp Grizzly near
Harvard, Idaho. Sometimes his brother Tom came along and then
it was the three of us against the world. It literally took
nearly a full day to get him up there and for us to get back home.
Along the way we would drive through Pullman, WA and Moscow, ID
(there's a very nice skateboard park in Moscow!) and of course the
entire Palouse country. We survived on junk food and energy
drinks and had a great time. It was one of those father/son
kind of things. Mom's probably wouldn't understand.
5. Harvest -
Listen
Part of what makes the Palouse section of Washington so beautiful
are the miles and miles of farmland and wineries. This track
reminds me of all those hard working families out there working the
land, driving their huge tractors and combines over their acreage
harvesting the food that us city-dwellers love to eat.
6. I Saw You -
Listen
This track is reminiscent of weekends at home when friends that
haven't seen each other for awhile are reunited. After high
school, many friendships are tested as people go to different
colleges and/or different directions in life. It's a
bittersweet kind of thing and the music reflects this feeling.
7. Griz -
Listen
Camp Grizzly is
a gorgeous Boy Scouts of America (BSA) camp located near Harvard,
Idaho. It's nickname is "Griz" by most of the staffers.
It has a small river running through it as well as its own man-made
lake that actually has a plug in the bottom (kind of like a huge
bathtub!) where they can drain it during the winter. Jeff has
spent several summers there providing a rich experience for the
various Scout troops that come up during the summer. He mainly
likes to work the shotgun range (he is a rather experienced and
accurate marksman by the way!) but is also at home on the .22 rifle
range and the 3D archery area. As mentioned previously, we
basically considered it a full day's trip to drop him off or pick
him up from camp and the drive was beautiful since it goes through
nearly all of the Palouse.
8. Lonely Travels -
Listen
This track reveals the heartaches and travails of college romance.
And that's all I have to say about that!
9. Rain -
Listen
This track was an experiment with acoustic piano and how it blends
with the cello. I have an entire video sequence planned out in
my head where two musicians in two different practice rooms in the
same building hear each other playing their part and each feels like
they are half of a complete whole. They each keep stopping at
certain times to listen to the other one play and finally one of
them sneaks into the other one's practice room and they play the
song together, alternating the melody back and forth. Now I
just need to find a real live cello player and someone with a video
camera!
10. Last Dream -
Listen
This song has an interesting history. I wrote it way back in
1987 about the "little red-haired girl next door" who wouldn't stay
out of my dreams. I then played it in various bands throughout
the 90s. Finally, during the summer of 2007 myself and Scott
Wilburn (founder of the
Baja Blues Band) had a string of gigs at a
local Bonefish Grill and since we record our every performance, by
the end of the summer we had plenty of versions of this song to
choose from for this album. I listened intently to all the
versions and chose the one with the least warts (performed on August
31st, 2007). The harmonica-like solo you hear in the
middle of the song is actually a
Melodica, which is kind of a cross
betwixt a harmonica and an accordion. You are hearing almost
exactly what the crowd heard that night since I recorded the
performance to a simple stereo track and did not do any
post-performance mix down.
For you "techies" out there (and you KNOW who you are):
Kevin B. Selby performed all instruments (except guitar on Last Dream), mixed, mastered, and produced the album.
This album was recorded on a Dell Inspiron 6000 laptop with 1 Gb of RAM and a Creative Labs Audigy Notebook soundcard. An M-Audio 88SX 88-key controller keyboard was used to trigger various sounds. Sonar Home Studio 6 was the sequencing software. The Boost 11 mastering plug-in was used on the Master track of each song to provide a slightly more normalized/compressed sound.
Various sound library plug-ins used were:
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